The art of Midi Bitch (aka Fredy Engel) exists within a multifaceted literary, philosophical, and musical context that draws on various interdisciplinary influences. These influences range from existentialist philosophy, avant-garde literature, to cosmic and experimental music. Below, we outline how these various movements are interconnected and shape the art of Midi Bitch.

1. Literary Context:

Midi Bitch’s art can be largely situated within the realm of existentialism and avant-garde literature.

• Existentialism: Themes of absurdity, search for meaning, and freedom play a central role in Midi Bitch’s work. Similar to Jean-Paul Sartre, Albert Camus, and Franz Kafka, who present the individual in a meaningless world, Midi Bitch’s music deals with the individual conflict with the meaninglessness of life. The music can be seen as a sonic representation of the existential question of how one can find their own meaning in a chaotic world.
• Avant-garde Literature: Midi Bitch’s art also draws from avant-garde literature, which often engages with Surrealism, Dadaism, and the deconstruction of traditional narrative structures. His music may reflect these concepts by breaking from conventional music structures, opting instead for experimental, fragmented soundscapes that push the listener beyond familiar patterns.

2. Philosophical Context:

Philosophically, Midi Bitch’s work engages with existentialism and postmodern thinking.

• Existentialism: Midi Bitch’s music reflects existentialist themes, particularly the freedom of the individual and the meaninglessness of existence. Like Sartre and Camus, the work conveys the idea that humans live in a world without predetermined meaning, and thus must take responsibility for their own lives. The music creates a meditative space where the listener confronts emptiness and the freedom inherent in existential questions.
• Postmodern Philosophy: Midi Bitch’s work also aligns with postmodern philosophy, shaped by thinkers like Michel Foucault, Jean Baudrillard, and Jacques Derrida. Postmodernism questions the stability of truths and societal narrative structures. This is mirrored in Midi Bitch’s music, which deconstructs and fragments traditional music forms to create a new, open meaning. The music is not only a creative product but also a philosophical reflection on the nature of truth and reality.
• Cosmic Philosophy: Midi Bitch’s work may also touch on transcendence and cosmic themes, addressing universal consciousness through expansive, atmospheric sounds. In this context, his music can be seen as an attempt to capture the infinite and the cosmic, offering the listener a feeling of being part of something larger than themselves.

3. Musical Context:

Midi Bitch’s musical language operates within the realms of experimental, cosmic, and electronic music, drawing influence from minimalism and ambient soundscapes.

• Cosmic Music: Midi Bitch uses cosmic sound worlds that evoke a sense of infinity and cosmic consciousness. His music aims to transport the listener into another dimension, creating the sensation of being part of a larger, transcendental universe. Like artists such as Klaus Schulze, Tangerine Dream, or Brian Eno, Midi Bitch employs long, atmospheric tones to induce a deep, contemplative state.
• Electronic Music and Avant-garde: Midi Bitch utilizes a range of electronic sounds and synthesizers to create a musical structure that does not follow traditional harmony or rhythm. Instead, he takes an experimental and abstract approach, allowing the listener the freedom to experience the music as an evolving journey. This approach aligns with artists like Aphex Twin or Autechre, who use digital manipulation and distorted sound structures to create alternative realities.
• Minimalism and Ambient: Midi Bitch also incorporates minimalist and ambient music techniques, characterized by reduced, repetitive structures. These music styles facilitate a transcendent experience, guiding the listener on an inward journey, addressing themes of meaning and emptiness in a seemingly meaningless world. His music often features calm, steady rhythms and floating sounds, fostering a meditative atmosphere.

4. Subcultural and Artistic Context:

Midi Bitch’s art also resides within a subcultural context, incorporating elements from underground art, DIY philosophy, and post-punk aesthetics.

• DIY Aesthetics and Subversion: Midi Bitch embodies the DIY philosophy (Do It Yourself), viewing music as a personal form of expression that exists beyond commercial interests. This aligns with the post-punk context, which challenges traditional music forms and treats subculture as a protest against mainstream values. Midi Bitch, though not directly part of the punk movement, approaches music in a way that rebels against the norms of the conventional music industry.

Conclusion:

The art of Midi Bitch exists within a complex, interdisciplinary context, strongly influenced by existentialism, avant-garde literature, postmodern philosophy, and cosmic music. Midi Bitch combines experimental sound structures that engage with philosophical reflections on meaninglessness, freedom, and cosmic existence. His art is always subversive, questioning and challenging the conventional boundaries of the music industry, while inviting the listener to embark on a meditative, transcendental journey.